The album starts off with "Fall Flat" with classic buzzing bee guitar riffs and flying "around the world" drums. The lead singer - Jim - has the perfect twin pistol vocal rage: high to low, it always hits its target - even when he decides to go for a copious amount of 9MM notes (which he does in this song). Overall, nothing really falls flat here - lyrically, the song breathes effervescent emotion and the slow fizzing bridge will squeeze your heart with fiber wire.
Another notable stand-out - and one of my personal faves - is "The Chance," which is just pure buoyant fun and features some of the album's most fervent lyrics ("I muster up the courage just to open my mouth wide, and give a glimpse of just what's going on inside"). The riffs have a certain happy yet doleful twinkle to them, almost Gin Blossoms-esque. This song is especially interesting due to how some of the lyrics are purposely anchored in ignorance and/or have an impenetrable avidity (see: "the excuses to meet you are all gone so I'll make one up."). As you can see, you can pretty much play chess with this song. There are a lot of things to consider.
The drums on "Back to Reality" are a real jawbreaker - calling them "face-boffing" would be an understatement - These drums could beat you into a state of permanent unconsciousness. As for the lyrics, they are simple yet covert ("I'll be waiting... in a memory"). It's hard to really say anything bad about them because they're sung in such a positively ear-kissing way, with ample conviction. Plus this song, like most of their songs, is pretty much constipated with good lyrics - see: "Nothing's real till she goes home."
Every Day's Another Goodbye is a nice fleecy acoustic song. The lyrics once again run an unpredicted hook through your mouth and quickly reel you in ("Goodbye to my stomach, my pride"). Ironically, one of the lyrics is "'cause it's up for interpretation." That pretty much sums up all their songs: Everyone is liable to walk away from them with something different (think: a Goya painting, only less dark... and a lot less baby eating).
How To Hold On immediately caught my attention with the following blatant contradiction: "Even though you're gone, just want to know you're not leaving." The line is a bite obtuse but catches the querulous longing, denial twists and ignorance that comes with love.The song also has a
